Musings of an “Old Man”

re-posted with permission, and written by Ken Galama

I keep thinking about a DSLR.

I keep getting confused with all the different sensors and pixels.

I miss the days before digital cameras.

Back then the debate that raged was about which medium format camera was best. (yes it was square and no it wasn’t Bronica)

When it came to 35mm it was Canon or Nikon (sorry Pentax and Minolta). kanken fjallraven soldes There really was no significant difference. lunette de soleil oakley pas cher You either liked the feel of one or the other and that was it.

Film was the real variable to understand. new balance 577 femme It was organic, with its moods. It demanded to be treated like the proverbial Goldie Locks. Not too hot, not too cold.

The lab that processed the colour film was like a maternity ward with anxious photographers waiting the delivery of their precious images. Ripping open packages, flipping through prints, negatives being examined. Ray Ban Goedkoop Each image scrutinized, some cherished others aborted.

But every photographer had religion when it came to black and white. Chaussures Nike I never met a photographer that didn’t process and print their own black and white film.

Ansel Adams was the founder of that religion yet every photographer had their own private ceremony.

After the film was dry and an image chosen for printing the photographer conjured his image from a beam of light. Dodging and burning creating a unique hand made image.

That final print was a direct link to the photons that bounced of the subject.

Get Creative


Shannon’s Gelato Creative

Written by our new Aussie friend Stuart Leslie Blain

I don’t know other photographers’ process for putting together a creative. new balance 577 femme Mine’s done paradoxically. Boutique Nike Paris Magasin On the one hand I get an idea; workshop it, put it through the KISS filter, then off & away. Nike Air Max 2017 Heren wit However, at unsuspecting moments of the day a creeping fear drips into my consciousness that prompts me to ask myself – Am I reinventing the wheel or am I remaking the same old crap I’ve seen before?

If the concept doesn’t match the ideal, then how do I bridge the gap? And finally, will it hold up to the scrutiny of other working professionals? This is my working science experiment as an assistant slowly transitioning to photog.

The breath of fresh air comes in the form of shooting the breeze with Colleen, Jim, and Walter at B3K Digital. Baskets Under Armour Pas Cher A genuine, unpretentious, uncompromising support system. chaussures nike air max pas cher Boutique Nike Cheap Nike Shoes UK Like a second family, but in photography. nike air max 2017 pas cher femme The likes of which this fish-out-of-water Aussie never experienced before. comprar mochilas kanken Abercrombie Pas Cher So imagine my lack of surprise that it’s the first port of call for Canadian image-creating heavyweights like Christopher Gentile (big fan, mentor) who introduced me to them.

My lens of choice was the Canon EF 100mm f/2.8L Macro read more at 101meds.com IS USM which is just a delight and I love the precision, even in low light. Detail and focus being paramount, I went the way of macro because I wanted to capture the beauty of (Shannon’s) my Italian-Canadian wife’s amazing juicy fruit and vodka gelato’s with mouth-watering clarity. air max pas cher Specifically so I could oscillate between some quick product shots (none of which i really liked ultimately) and these “lifestyle-y” shots. Nike Air Huarache Heren Adidas ZX 750 Heren Some concept photographs to support a new business venture to eventually make these available for public consumption.

Categories are obviously practical, but beyond that I hate pigeonholing and labelling something ethereal like art because I find, like a film review, it colours your perspective. Fjällräven Kånken Sverige So I’ll refrain from labelling my shots for you the viewer/reader and allow you to just drink it on.

This was an invaluable process for me; learning to shoot a melting object in the sun, held by a melting, sweating subject. Adidas 2017 Goedkoop Always get model release forms signed – even when shooting friends (sad but true).

Run things past the folks at B3K Digital because they are über supportive and nurturing (and it’s easy to forget, and feel pretty alone in a culture that values profit, competition and self-interest and devalues creativity), but especially because you never know where your idea/concept will lead. mochilas kanken baratas Start throwing your creative seeds out there into the universe.

Hartblei – Larger Than Life

Medium Format Quality – View Camera Movement

By Cedric Swaneck – Freelance Photographer/POCP Assistant

A couple of months ago, I was at B3k Digital chatting with Colleen and local photographer Christopher Gentile about the merits of tilt/shift lenses. Right on queue Colleen presented us with the Hartblei trio of tilt/shift SuperRotator lenses. Nike Air Max 2017 Heren rood Nike Pas Cher They offer the 40mm f/4, 80mm f/2.8 and 120mm f/4 lenses. The build quality of these lenses is impressive to say the least.

Equipped with cutting edge Carl Zeiss optics, the Hartblei line of lenses offers DSLR professionals true medium format quality glass. nike goedkoop online Not only is the quality of glass incredible, but the versatility and flexibility of the SuperRotator tilt/shift design offers the photographer more creative and technical options than ever. goedkoop nike air max 2016 You have 360 degrees of rotation and independent control of the tilt and shift movements. fjallraven kanken pas cher adidas 2017 pas cher The movement of these lenses is almost like that of a view camera. The barrel build quality is amazing. air max 2017 heren All of the elements flow smoothly and lock with military precision. mochilas kanken It’s like having a high tech tank in your hands.

The 40mm f/4 lens comes equipped with a built-in tripod mount, which you will definitely need. Nike Store The Hartblei 40 is a real big boy weighing in at 1,490 grams (1.49 kg/3.28 lbs)! I would definitely recommended using the Arca Swiss P0 tripod head with this lens. Nike Air Max 2017 schoenen A great standard lens and a great workout.

The 80mm f/2.8 was the easiest of the three lenses to maneuver. Fjallraven Kanken Like the rest of the lineup, this lens was tack sharp and the image quality was excellent. goedkoop nike air max 2017 Nike Air Max 2016 Heren groen The dimensionality of these tilt shifts can really make your subject really pop while creating a silky smooth bokeh.

I would have liked some more time with the 120mm f/4 lens to play with it’s macro capabilities. Maybe even try it out with an extension tube. The sample image below was taken straight on without tilt or shift. Super sharp and fairly easy to control lens. nike air max 2016 heren Fjallraven Kanken 16L This lens is equipped with dual focus rings helping you get closer to your subject.

Sample Images

 

(Canon 5D Mk II - Hartblei 40mm f/11 2 sec. full shift and tilt)

(Canon 5D Mk II - Hartblei 80mm f/11 1/2 sec. full shift)

(Canon 5D Mk II - Hartblei 120mm f/11 1/2 sec.)

For an in-depth review and more sample images visit Lloyd Chambers’ blog.

- http://diglloyd.com/articles/Hartblei-pub/Main.html

For more info on Hartblei and technical specs visit the Hartblei website.

- http://www.hartblei.de/en/sr40if.htm

All images are copyright Cedric Swaneck.

John Hryniuk and the War of 1812

by Colleen Smith

This is an important year in Canadian history commemorating the bicentennial of The War of 1812. Cheap Nike shoes nike air max 2017 heren wit There are many activities and events across Canada celebrating 200 years of peace including battle re-enactments in period dress. Celebrations honouring troops who fought in the 32 month war will continue until 2015. nike air zoom schoenen Photographer John Hyrniuk shares his experience through images of battle re-enactments from this past summer.

 

When Zoomer magazine originally approached John with the idea of shooting the War of 1812 re-enactment they wanted him on the battlefield with his gear. Nike Air Max 2017 Heren rood Koop Fjallraven Kanken They soon realized they couldn’t get John on the field while the actors were doing their work, and they dropped the concept. Not to shy away from a challenge, John decided to head out on his own and shoot for himself. nike tn homme new balance 373 femme noir Armed with his Canon 5D MK II, the EF 85mm f1.2L (his favourite lens), a Profoto Pro 7B pack and head with small softbox, he set out to various locations across Ontario where these battles were being “fought” over the course of the summer.

 

A self-taught photographer shooting professionally sine 2002, John likes to photograph the unusual and the quirky – usually celebrity lookalikes. Nike Air Max 2017 Heren zwart nike air max 1 pas cher The war re-enactment and its colourful characters fit right in to his photographic philosophy.

 

I asked John which of the many portraits he captured over the summer was his favourite, he answered without thought “The kid with the Bugle”. nike air max 2017 heren blauw Why?

“I don’t know…I just like it, it’s one of those pictures that captures the moment well, the setting, the expression”

“I don’t like to have the people just standing there, it’s more interesting if they are doing something”

 

When he finished this project he went back to Zoomer with his photographs, and though they weren’t images captured on the battlefield, Zoomer Magazine was more than happy with the portraits John captured.